Have you ever been really into something and then found out that there are other things like this something and that there’s a name for this stuff and lots of other people like this stuff too? If that sentence didn’t make any sense to you don’t worry about it, the rest of this blog post doesn’t require that you’re orbiting the same celestial body as me to understand it.

I recently discovered that the type of art (apart from mixed media) that makes my heart go thump has a name and its name is “pop surrealism“. Apparently it’s a bit of a misnomer, and hotly contested by some of those upon whom the label is foisted, but it’s a revelation nonetheless.

I met two art students whilst on our journeys in Tunisia who asked me what “art movement” I consider my paintings to belong to. I told them I don’t get that academic about it and said I just paint cute stuff that’s kind of creepy, which left them looking at me blankly. Little did I know this cute and creepy stuff is apparently a valid (to some) art movement.

This discovery happily coincided with a visit to Rome, which happens to be the home of the Dorothy Circus Gallery that sells prints of one of my favourite artists of this style – Nicoletta Ceccoli. It had never occurred to me that art with a focus on strange and innocent yet disturbing subjects could be found in a gallery. T-shirts from Dangerfield maybe, but certainly not galleries as I knew them. This discovery has opened up a whole new wonderfully macabre and seedy world.

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I’m at the stage in the evolution of my art where every painting is a learning exercise. In fact, I suspect even seasoned artists would say as much in a steal-my-thunder kinda way but I think my curve is much steeper. As an artist I’m so green that the new art and artists I’m constantly encountering online result in me frenziedly attempting a different style of painting every week. So far I’ve tried Wabi Sabi, abstract landscapes, steampunk, mixed media, artography, and oil painting. This leaves me feeling kind of exhilarated and somewhat unauthentic at the same time. Most of the time I’ll notice an element of a painting I like and try to replicate it with my limited skill set. If you haven’t already guessed, the above painting was inspired by Kelly Rae Roberts’ trademark patchwork collages and messy brayered backgrounds. Intellectually I know that it’s not copying, it’s imitation as a learning exercise. I remember seeing art students sitting in front of masterpieces at the Louvre and sketching them presumably for the very same reason.

However, I, like many people, have hang-ups when it comes to making art. There’s a little voice in my head that sometimes suggests that if I can’t render bowls of fruit photo-realistically or if I’m not being a wacko who does weird shit with stuff then I’m not really an artist and I certainly shouldn’t have to develop a style. I suspect a lot of people stop making art or never begin for similar insecurities. There are a lot of practical philosophies that hold as true for art making as they do for life that I can fall back on at this point and placate such insecurities. Enjoying the process and not being in a rush to get to the end is a good one. Another one is that nothing worth doing is easy. Both rock solid, clichéd, but rock solid. However, the one thing that gives me an instant dose of concrete certainty that I am doing exactly what I am supposed to be doing is remembering how I felt about art when I wasn’t making it. It hurt to look at beautiful things I didn’t create. They gave me a deep-down emotional ache. They made me feel intensely jealous of the person who created it. A particularly exquisitely sexy piece of eye candy could even make me angry in an upset kind of way. For anyone out there who doesn’t know what to do with their lives, doesn’t know what their passion is, think of the thing that makes you feel like that and go out and do it. I suppose this is kind of the dark side of the “do what excites you” coin – “do what pisses you off because you’re not doing it”. No matter what insecurities come up for me in my art making from here on out, it doesn’t matter, because I wield their kryptonite.

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